Interests within compositional terrain:
Application of ritual elements in the formal as well as the sonar organization of music
Incorporation of maqam i.e. tetrachord sound formations in the composing material
Experimenting with new forms of music within theatrical/ performative instances.
Topics of ethno-musicological research:
Oral and written Traditions
Pagan and Christian oral traditions and controversies
Contemporary music and contemporary art in general
New media in association with new performance spaces.